We here at 246 editions have been on an extended life journey for the past few months and are now back and thrilled to be presenting new work.
Look for us to post in just a few hours a new print by Austin Thomas, I think you will be quite pleased by this - hope to see you soon.
Pocket Utopia is not quite over yet…there’s still some unfinished business…
Pocket Utopia presents “Business Edition,” a one-night exhibition of artist-produced editions and prints, and a selection of the recently inaugurated Kris Graves Projects and Pocket Utopia joint Flatfile and recent editions from 246 Editions
The evening’s highlights include:
Please join us for a wine reception from 6 to 9 pm
Pocket Utopia
1037 Flushing Ave., Brooklyn, NY 11237
www.pocketutopia.com
L to Morgan Ave.
Enormous thanks to Austin Thomas for helping put this together.
When we approached Sharon to publish her work here, we expected to see more of her expressive and thoughtful paintings streamlined into an approach that really works for prints. What we received was far more than we hoped for and in a different direction than we expected. I’m always thrilled when someone’s work is robust enough to push itself in a different direction while still maintaining all of the great things you liked about the work in the first place.
With that said Sharon flipped the switch by allowing us to look into her process by working directly from her sketchbooks and delivering a finely taught piece of art. Sharon’s decision to go this route was encouraged by conversations with John Davis (of The John Davis Gallery, where she is currently showing her paintings) and collectors who were interested in her project.
We love it when a round table discussion or even a cocktail party brings out great things. We hope you do too.
Hello everyone - today we are happy to present our fourth edition. Matthew Langley’s On The Way Home.
Matthew’s artwork is developed by using multiple strategies. One of building and extending - the other of reducing and minimizing. These disparate approaches are not a way to impose meanings on the work, but can be viewed as a metaphoric crossroads. This crossroads is about extending the relationship of these different approaches, while at the same time allowing the viewer the liberty of time for further reading of the work. Matthew’s images use this strategic foundation to build clear, concise and rational images, while at the same time allowing for a sense of community and/or contemplation to develop in and around the artworks.
Matthew Langley was born in 1963 in Alexandria, Virginia and studied at Virginia Commonwealth University and received a BFA from The Corcoran School of Art in 1986. His work has been exhibited nationally and is included in major collections such as Ernst and Young, DC Commission for the Art and Humanities, The International Museum of Collage, Assemblage and Construction. Recent exhibitions include The District of Columbia Arts Center and Green Line Art Projects in Philadelphia. Mr. Langley’s artwork has been covered in publications such as Art in America, The Washington Post, and The Washington Citypaper among others. He lives and works in Falls Church, VA.
We have been big fans of Steven Alexanders work for quite awhile and are super happy to be presenting his work in our third edition.
Steven’s work is interested in the interaction between the painting and the viewer’s imagination and experience; effectively in the painting’s catalytic potency and it’s potential to generate unspecified mobile meaning.William S. Burroughs and Brion Gysin referred to this as the third mind - the conscious created between an artwork and the viewer viewing it.
Steven is trying to build, out of color and substance, a place for the viewer’s consciousness - where unexpected associations and resonances may occur, where past and future merge with the present moment, and the stuff of life, love and desire has corporeal presence - states of being, embodied in paint.